Representing Trauma: Grief, Amnesia and Traumatic Memory in Nolan’s New Millennial Films’
Furby, Jacqueline Joy, Stuart
Furby, Jacqueline
Joy, Stuart
Authors
Editors
Other contributors
Affiliation
Epub Date
Issue Date
2015-07
Submitted date
Alternative
Abstract
A consistent preoccupation of Christopher Nolan’s films is the psychological afflictions of their male protagonists, who variously experience flashbacks, hallucinations, amnesia or hyper-vigilance, and whose signs of emotional damage often stem from grief or guilt. However, mental trauma is not only a trait of Nolan’s films but is discernible across a range of genres, with a noticeable surge of psychologically disordered male characters in films of the new millennium. Akin to their post-war noir predecessors, such representations of masculinity suggest that the unstable mental state of the twenty-first century protagonist may relate to the effects of a post-9/11 milieu. What makes Nolan’s oeuvre distinctive is that his new millennium films tend to be fore-grounded by this feature, to the extent that mental aberration governs the narrative, thereby implying such characterisation as an authorial tendency. As Will Brooker notes, ‘Nolan’s authorial interest in psychological drama, his recurring themes of fear and memory and his characteristic experiments with narrative have now become established traits’ (2012: 22).
Citation
In: Jacqueline Furby (Author); The Cinema of Christopher Nolan: Imagining the Impossible, Chapter 7, p99
Publisher
Journal
Research Unit
DOI
PubMed ID
PubMed Central ID
Embedded videos
Additional Links
Type
Chapter in book
Language
en
Description
Series/Report no.
ISSN
EISSN
ISBN
9780231173971
ISMN
Gov't Doc #
Sponsors
University of Wolverhampton