Suturing the Action to the Word: Shakespearean Enunciation and Cinema's "Reality-Effect" in 'Shakespeare in Love' and 'Anonymous'

2.50
Hdl Handle:
http://hdl.handle.net/2436/620694
Title:
Suturing the Action to the Word: Shakespearean Enunciation and Cinema's "Reality-Effect" in 'Shakespeare in Love' and 'Anonymous'
Authors:
Geal, Robert ( 0000-0002-9059-0256 )
Publisher:
Salisbury University (US)
Journal:
Literature/Film Quarterly
Issue Date:
2014
URI:
http://hdl.handle.net/2436/620694
Additional Links:
http://www.salisbury.edu/lfq/index.html
Type:
Article
Language:
en
ISSN:
2573-7597; 0090-4260
Appears in Collections:
FOA

Full metadata record

DC FieldValue Language
dc.contributor.authorGeal, Roberten
dc.date.accessioned2017-09-26T14:37:01Z-
dc.date.available2017-09-26T14:37:01Z-
dc.date.issued2014-
dc.identifier.issn2573-7597-
dc.identifier.issn0090-4260-
dc.identifier.urihttp://hdl.handle.net/2436/620694-
dc.language.isoenen
dc.publisherSalisbury University (US)en
dc.relation.urlhttp://www.salisbury.edu/lfq/index.htmlen
dc.subjectfilm theoryen
dc.subjectShakespeareen
dc.subjectadaptationen
dc.subjectpoststructuralismen
dc.subjectideologyen
dc.subjectRoland Barthesen
dc.subjectEmile Benvenisteen
dc.subjectauthorshipen
dc.titleSuturing the Action to the Word: Shakespearean Enunciation and Cinema's "Reality-Effect" in 'Shakespeare in Love' and 'Anonymous'en
dc.typeArticleen
dc.identifier.journalLiterature/Film Quarterlyen
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