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dc.contributor.authorChandler, Clare
dc.date.accessioned2019-10-03T13:20:43Z
dc.date.available2019-10-03T13:20:43Z
dc.date.issued2019-01-31
dc.identifier.citationChandler, C. (2019) Integration and disintegration in Next To Normal. MTEA Journal, 2, pp. 82-86.en
dc.identifier.urihttp://hdl.handle.net/2436/622773
dc.description.abstractRomance and romantic entanglements are the fuel of traditional musical theatre, fusing words and music (Engel and Kissel 113) to create entertaining and successful shows with happy endings. Frequently, these happy romantic resolutions reinforce gender hierarchies and heteronormative stereotypes: "Women wait for love, men bring it" (Barnes 51). Tom Kitt and Brian Yorkey’s 2009 musical Next to Normal, in subverting the audience's expectations both for a "normal" heroine and a happy ending, deviates from the conventions of musical theatre and provides an interesting case study of accepted notions of the traditional, integrated musical.en
dc.formatapplication/PDFen
dc.language.isoenen
dc.publisherMusical Theatre Educators Allianceen
dc.relation.urlhttps://www.musicaltheatreeducators.org/blog/integration-disintegration-in-next-to-normalen
dc.subjectmusical theatreen
dc.subjectMusicen
dc.subjectIntegrationen
dc.titleIntegration and disintegration in Next to Normalen
dc.typeJournal articleen
dc.identifier.journalMTEA Journalen
dc.date.updated2019-09-20T16:42:12Z
dc.date.accepted2018-11-22
rioxxterms.funderUniversity of Wolverhamptonen
rioxxterms.identifier.projectUOW03102019CCen
rioxxterms.versionAMen
rioxxterms.licenseref.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/en
rioxxterms.licenseref.startdate2019-10-03en
refterms.dateFCD2019-10-03T13:20:03Z
refterms.versionFCDAM
refterms.dateFOA2019-10-03T13:20:44Z


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