Abstract
Romance and romantic entanglements are the fuel of traditional musical theatre, fusing words and music (Engel and Kissel 113) to create entertaining and successful shows with happy endings. Frequently, these happy romantic resolutions reinforce gender hierarchies and heteronormative stereotypes: "Women wait for love, men bring it" (Barnes 51). Tom Kitt and Brian Yorkey’s 2009 musical Next to Normal, in subverting the audience's expectations both for a "normal" heroine and a happy ending, deviates from the conventions of musical theatre and provides an interesting case study of accepted notions of the traditional, integrated musical.Citation
Chandler, C. (2019) Integration and disintegration in Next To Normal. MTEA Journal, 2, pp. 82-86.Publisher
Musical Theatre Educators AllianceJournal
MTEA JournalAdditional Links
https://www.musicaltheatreeducators.org/blog/integration-disintegration-in-next-to-normalType
Journal articleLanguage
enCollections
Except where otherwise noted, this item's license is described as https://creativecommons.org/licenses/by-nc-nd/4.0/