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dc.contributor.authorCurpan, Gabriela
dc.date.accessioned2019-08-13T08:39:04Z
dc.date.available2019-08-13T08:39:04Z
dc.date.issued2019-08-01
dc.identifier.citationCurpan, G. (2019) The influence of Christian Orthodox thought on Stanislavski’s theatrical legacy, Stanislavski Studies. DOI: 10.1080/20567790.2019.1644747.en
dc.identifier.issn2056-7790en
dc.identifier.doi10.1080/20567790.2019.1644747en
dc.identifier.urihttp://hdl.handle.net/2436/622642
dc.description.abstractExpressed through many Orthodox concepts, such as ‘soul’, ‘heart’, ‘love’, ‘beauty’ and ‘truth’, scattered throughout all his writings, Stanislavski’s personal religious feelings seemed constantly to have shaped his life-long sense of an artistic spirituality. Yet, in spite of this presence, the Orthodox connections appear to be neither properly analysed nor fully explained. Therefore, this paper strives to identify and reflect upon how such generally ignored but key Orthodox ideas might have had a crucial influence on shaping Stanislavski’s ‘system’.en
dc.formatapplication/PDFen
dc.languageen
dc.language.isoenen
dc.publisherInforma UK Limiteden
dc.relation.urlhttps://www.tandfonline.com/doi/full/10.1080/20567790.2019.1644747en
dc.subjectsystemen
dc.subjectOrthodox faithen
dc.subjectloveen
dc.subjectbeautyen
dc.subjecttruthen
dc.subjectspiritual ladderen
dc.subjectsoulen
dc.subjectincarnationen
dc.subjectmoralityen
dc.titleThe influence of Christian Orthodox thought on Stanislavski’s theatrical legacyen
dc.typeJournal articleen
dc.identifier.eissn2054-4170
dc.identifier.journalStanislavski Studiesen
dc.date.updated2019-08-11T07:33:19Z
dc.date.accepted2019-08
rioxxterms.funderEPSRCen
rioxxterms.identifier.projectUOW130819GCen
rioxxterms.versionAMen
rioxxterms.licenseref.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/en
rioxxterms.licenseref.startdate2021-02-01en
dc.source.beginpage1
dc.source.endpage17
dc.description.versionPublished online
refterms.dateFCD2019-08-13T08:38:27Z
refterms.versionFCDAM


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