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dc.contributor.authorLidbury, Clare
dc.date.accessioned2019-05-03T10:56:26Z
dc.date.available2019-05-03T10:56:26Z
dc.date.issued2019-07-29
dc.identifier.citationLidbury, C. (2019) Drums sound in Hackensack: Agnes de Mille and the Jooss Ballet, Dance Chronicle, 42(2), pp. 195-216.en
dc.identifier.issn0147-2526en
dc.identifier.doi10.1080/01472526.2019.1622992
dc.identifier.urihttp://hdl.handle.net/2436/622327
dc.description.abstractIn 1941 Agnes de Mille created Drums Sound in Hackensack for the Jooss Ballet. There is no film of the work and few photographs but the work is documented in her choreographic notes, letters to and from de Mille, dancers’ recollections, and reviews. From these can be learned why and how de Mille created the work, what it was like, and why it was significant to the Jooss Ballet. With its American theme, historical setting, dream sequence, and a female character at the center of the work it may be seen as a forgotten stepping stone in de Mille’s choreographic development.en
dc.formatapplication/PDFen
dc.language.isoenen
dc.publisherTaylor & Francisen
dc.relation.urlhttps://www.tandfonline.com/toc/ldnc20/currenten
dc.subjectAgnes de Milleen
dc.subjectJooos Balleten
dc.subjectDrums Sound in Hackensacken
dc.subjectFrederick Cohenen
dc.subjectDartingtonen
dc.subjectTrude Rittmanen
dc.subjectAmerican balleten
dc.titleDrums sound in Hackensack: Agnes de Mille and the Jooss Balleten
dc.typeJournal articleen
dc.identifier.journalDance Chronicleen
dc.date.updated2019-04-29T10:45:17Z
dc.date.accepted2019-03-12
rioxxterms.funderBiotechnology and Biological Sciences Research Councilen
rioxxterms.identifier.projectUOW030519CLen
rioxxterms.versionAMen
rioxxterms.licenseref.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/en
rioxxterms.licenseref.startdate2021-01-29en
dc.source.volume42
dc.source.issue2
dc.source.beginpage195
dc.source.endpage216
refterms.dateFCD2019-05-03T10:55:08Z
refterms.versionFCDAM


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