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dc.contributor.authorStewart, Max
dc.date.accessioned2018-07-02T15:17:22Z
dc.date.available2018-07-02T15:17:22Z
dc.date.issued2017-08
dc.identifier.urihttp://hdl.handle.net/2436/621405
dc.descriptionAllister Malcolm: 25 years of Making, August 2017-January 2018, White House Cone Museum of Glass, Stourbridge, UK; International Festival of Glass 2017
dc.descriptionThis is a metadata only record. There are no files available for this exhibition.en
dc.description.abstractAn investigation into the nature of chemical serendipity within the kiln forming process using metallic salts and glass. Glass sculpture in international selected exhibition of contemporary glass artists who have a working and artistic relationship with Allister Malcolm – one of the UK’s leading glassmakers. The exhibition was in celebration of 25 years of his making glass artefacts. All participants were invited by Allister Malcolm to exhibit because of their considered impact on the contemporary glass world.
dc.description.sponsorshipWhite House Cone Museum of Glass
dc.language.isoen
dc.publisherWhite House Cone Museum of Glass
dc.relation.urlhttp://www.britishglassfoundation.org.uk/allister-malcolm-at-the-white-house-cone-museum-of-glass/
dc.titleThe Sense of My Screaming Skin: Manifesting My Bipolarity
dc.typeArtefact
pubs.place-of-publicationStourbridge, West Midlands, England
html.description.abstractAn investigation into the nature of chemical serendipity within the kiln forming process using metallic salts and glass. Glass sculpture in international selected exhibition of contemporary glass artists who have a working and artistic relationship with Allister Malcolm – one of the UK’s leading glassmakers. The exhibition was in celebration of 25 years of his making glass artefacts. All participants were invited by Allister Malcolm to exhibit because of their considered impact on the contemporary glass world.


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