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dc.contributor.authorMieves, Christian
dc.date.accessioned2018-03-09T14:16:59Z
dc.date.available2018-03-09T14:16:59Z
dc.date.issued2018-10-01
dc.identifier.issn2052-6695
dc.identifier.doi10.1386/jcp.4.2.285_1
dc.identifier.urihttp://hdl.handle.net/2436/621161
dc.description.abstractIn this conversation American painter David Schutter and the author discuss key aspects of Schutter’s work. Schutter (born 1974), whose work makes reference to major European painting collections, explores in his work the relation to tradition and repetition of artistic conventions. His work, presented at ‘Documenta 14’ (2017), often employs strategies of radical limitation of the colour scheme, and restriction of visibility, sometimes blackening out the image plane altogether. This raises questions about the detachment from the referent object, self-reflexivity and the trope of unrepresentable in contemporary painting in the beginning of the twenty-first century. The conversation will further focus on ways Schutter’s work transgresses from a narrow mimetic framework by mitigating in his paintings the difference between original and double and by employing diminished clarity and ambiguity in his work.
dc.language.isoen
dc.publisherIntellect
dc.relation.urlhttps://www.intellectbooks.co.uk/journals/view-issue,id=3371/
dc.subjectDavid Schutter
dc.subjectpainting
dc.subjectcollections
dc.subjectrepetition
dc.subjecttradition
dc.subjectunrepresentable
dc.subjectmimesis
dc.title‘“Towards understanding the nature of history and its limitations”: An interview with the American Artist David Schutter’
dc.typeJournal article
dc.identifier.journalJournal of Contemporary Painting
dc.date.accepted2017-10-31
rioxxterms.funderInternal
rioxxterms.identifier.projectUoW090318CM
rioxxterms.versionAM
rioxxterms.licenseref.urihttps://creativecommons.org/CC BY-NC-ND 4.0
rioxxterms.licenseref.startdate2019-10-01
dc.source.volume4
dc.source.issue2
dc.source.beginpage285
dc.source.endpage300
refterms.dateFCD2018-10-19T08:34:27Z
refterms.versionFCDAM


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