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dc.contributor.authorGeal, Robert
dc.date.accessioned2017-09-26T14:37:01Z
dc.date.available2017-09-26T14:37:01Z
dc.date.issued2014
dc.identifier.issn2573-7597
dc.identifier.issn0090-4260
dc.identifier.urihttp://hdl.handle.net/2436/620694
dc.language.isoen
dc.publisherSalisbury University (US)
dc.relation.urlhttp://www.salisbury.edu/lfq/index.html
dc.subjectfilm theory
dc.subjectShakespeare
dc.subjectadaptation
dc.subjectpoststructuralism
dc.subjectideology
dc.subjectRoland Barthes
dc.subjectEmile Benveniste
dc.subjectauthorship
dc.titleSuturing the Action to the Word: Shakespearean Enunciation and Cinema's "Reality-Effect" in 'Shakespeare in Love' and 'Anonymous'
dc.typeJournal article
dc.identifier.journalLiterature/Film Quarterly
refterms.dateFOA2018-07-18T14:21:50Z


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