Parody, Pastiche and Intertextuality in Scream: Formal and Theoretical Approaches to the Postmodern Slasher
Average rating
Cast your vote
You can rate an item by clicking the amount of stars they wish to award to this item.
When enough users have cast their vote on this item, the average rating will also be shown.
Star rating
Your vote was cast
Thank you for your feedback
Thank you for your feedback
Authors
Pheasant-Kelly, FrancesIssue Date
2015-10
Metadata
Show full item recordAbstract
Style and Form in the Hollywood Slasher Film fills a broad scholastic gap by analysing the elements of narrative and stylistic construction of films in the slasher subgenre of horror that have been produced and/or distributed in the Hollywood studio system from its initial boom in the late 1970s to the present.Citation
In: Wickham Clayton (Editor); Style and Form in the Hollywood Slasher Film; Chapter 10, p149Publisher
PalgraveType
Book chapterLanguage
enISBN
978-1137496461Sponsors
University of WolverhamptonCollections