Parody, Pastiche and Intertextuality in Scream: Formal and Theoretical Approaches to the Postmodern Slasher
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Authors
Pheasant-Kelly, FrancesIssue Date
2015-10
Metadata
Show full item recordAbstract
Style and Form in the Hollywood Slasher Film fills a broad scholastic gap by analysing the elements of narrative and stylistic construction of films in the slasher subgenre of horror that have been produced and/or distributed in the Hollywood studio system from its initial boom in the late 1970s to the present.Citation
In: Wickham Clayton (Editor); Style and Form in the Hollywood Slasher Film; Chapter 10, p149Publisher
PalgraveType
Chapter in bookLanguage
enISBN
978-1137496461Sponsors
University of WolverhamptonCollections