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dc.contributor.authorPheasant-Kelly, Frances
dc.contributor.editorWilhite, Keith
dc.date.accessioned2016-11-07T09:43:14Z
dc.date.available2016-11-07T09:43:14Z
dc.date.issued2016-05
dc.identifier.citationIn: Keith Wilhite (Editor), The City Since 9/11: Literature, Film, Television, chapter 12
dc.identifier.isbn9781611477184
dc.identifier.urihttp://hdl.handle.net/2436/620260
dc.description.abstractThis chapter is from a book which analyzes post-9/11 literature, film, and television through an interdisciplinary lens, taking into account contemporary debates about spatial practices, gentrification, cosmopolitanism, memory and history, nostalgia, the uncanny and the abject, postmodern virtuality, the politics of realism, and the economic and social life of cities. Featuring an international group of scholars, the volume theorizes how literary and visual representations expose the persistent conflicts that arise as cities rebuild in the shadow of past ruins.
dc.description.sponsorshipUniversity of Wolverhampton
dc.language.isoen
dc.publisherFairleigh Dickinson Press
dc.subjectcity
dc.subjectcinema
dc.subject9/11
dc.subjectabject space
dc.subjectNordic noir
dc.titleAbject Spaces in The Bridge and The Killing: The Post-9/11 City of Scandinavian Noir’
dc.typeChapter in book
pubs.edition1st Edition
pubs.place-of-publicationTeaneck, US
dc.source.beginpage211
dc.source.endpage228
html.description.abstractThis chapter is from a book which analyzes post-9/11 literature, film, and television through an interdisciplinary lens, taking into account contemporary debates about spatial practices, gentrification, cosmopolitanism, memory and history, nostalgia, the uncanny and the abject, postmodern virtuality, the politics of realism, and the economic and social life of cities. Featuring an international group of scholars, the volume theorizes how literary and visual representations expose the persistent conflicts that arise as cities rebuild in the shadow of past ruins.


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