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    Reflections on the Spiritual in Rothko

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    Authors
    Arya, Rina cc
    Issue Date
    2016-01-01
    
    Metadata
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    Abstract
    Much has been made of the metaphysical aspects of Mark Rothko’s abstract art, especially his classic works of the 1950s and the Seagram murals. The claims for the spirituality of Rothko’s work are by no means unique either to his art or to art in general. Indeed there are many people who probe cultural forms, such as art, in order to reflect on life and broader questions that can be classed as spiritual concerns. The “revelations” that Rothko’s classic works give rise to, as described by visitors and commentators alike, reflect this phenomenon, and, taking this view further, explain why secular institutions such as art galleries can be spaces for spiritual experience. Rothko presents an interesting case as his work can be understood as spiritual in a broadly numinous way with recourse to the concepts of the sublime and the mystical as well as reflecting aspects of his Jewish identity. The intention of this article is to discuss the different spiritual aspects of Rothko’s work, particularly of his later career, in order to argue for the coexistence of these different strands, as well as to show the progression of his ideas.
    Citation
    Reflections on the Spiritual in Rothko 2016, 20 (3):315 Religion and the Arts
    Publisher
    Brill Academic Publishers
    Journal
    Religion and the Arts
    URI
    http://hdl.handle.net/2436/620254
    DOI
    10.1163/15685292-02003003
    Additional Links
    http://booksandjournals.brillonline.com/content/journals/10.1163/15685292-02003003
    Type
    Journal article
    Language
    en
    ISSN
    1079-9265
    1568-5292
    ae974a485f413a2113503eed53cd6c53
    10.1163/15685292-02003003
    Scopus Count
    Collections
    Faculty of Arts

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