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dc.contributor.authorWood, Karen
dc.contributor.editorRosenberg, Douglas
dc.date.accessioned2016-10-11T13:37:41Z
dc.date.available2016-10-11T13:37:41Z
dc.date.issued2016
dc.identifier.citationIn: Douglas Rosenberg (Editor); The Oxford Handbook of Screendance Studies; Chapter 12, pp245-262
dc.identifier.isbn9780199981601
dc.identifier.urihttp://hdl.handle.net/2436/620199
dc.description.abstractThe Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.
dc.language.isoen
dc.publisherOxford University Press
dc.subjectKinesthetic empathy
dc.subjectaudiences
dc.subjectengagement
dc.subjectcorporeal
dc.titleKinesthetic Empathy: Conditions for Viewing
dc.typeChapter in book
pubs.edition1st Edition
pubs.place-of-publicationOxford, UK
dc.source.beginpage245
dc.source.endpage262
html.description.abstractThe Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.


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