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    Peas, Parsnips and Patriotism: Images of the Garden in films of the Second World War

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    Authors
    HOCKENHULL, STELLA
    Editors
    Andrews, Eleanor
    Pheasant-Kelly, Fran
    Issue Date
    2016
    
    Metadata
    Show full item record
    Abstract
    This book examines the ways in which the house appears in films and the modes by which it moves beyond being merely a backdrop for action. Specifically, it explores the ways that domestic spaces carry inherent connotations that filmmakers exploit to enhance meanings and pleasures within film. Rather than simply examining the representation of the house as national symbol, auteur trait, or in terms of genre, contributors study various rooms in the domestic sphere from an assortment of time periods and from a diversity of national cinemas—from interior spaces in ancient Rome to the Chinese kitchen, from the animated house to the metaphor of the armchair in film noir.
    Citation
    In: Eleanor Andrews, Stella Hockenhull, Fran Pheasant-Kelly (eds); Spaces of the Cinematic Home Behind the Screen Door; chapter 2
    Publisher
    Routeledge
    URI
    http://hdl.handle.net/2436/620092
    Additional Links
    https://www.taylorfrancis.com/books/e/9781315762616
    Type
    Chapter in book
    Language
    en
    ISBN
    9781138791657
    Collections
    Faculty of Arts

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