Show simple item record

dc.contributor.authorHalligan, Benjamin
dc.date.accessioned2016-09-01T09:12:21Z
dc.date.available2016-09-01T09:12:21Z
dc.date.issued2017-03-01
dc.identifier.citationHalligan, B. (2017) Modeling affective labor: On Terry Richardson’s photography. Cultural Politics, 13 (1): pp. 58–80en
dc.identifier.issn1743-2197en
dc.identifier.doi10.1215/17432197-3755192
dc.identifier.urihttp://hdl.handle.net/2436/619196
dc.descriptionThis is an accepted manuscript of an article published by Duke University Press in Cultural Politics on 01/03/2017, available online: https://doi.org/10.1215/17432197-3755192 The accepted version of the publication may differ from the final published version.en
dc.description.abstractPhotographer Terry Richardson works in a digital aesthetic vernacular that looks more to underground hardcore pornography of yesteryear than traditions associated with the institutionalisation of erotica, as associated with Playboy. And yet his images, in Kibosh and Terryworld, anticipate the contemporary public recalibration of ideas of intimacy as associated with Social Media, tally with contested ideas of the sexualisation of female empowerment as associated with contested elements of Third Wave Feminism, and can be read as a contemporary phase of Antonio Negri’s theory of art and immaterial labour in their evidencing of the affective labour on the part of the photographer himself. This critical commentary, the first such academic writing on Richardson, explores his work in these contexts, and considers Richardson’s return to the figure (over abstraction) as evidencing and exploring of the nature of work, and the nascent eroticisation of working relations, under Western neoliberal regimes.
dc.language.isoenen
dc.publisherDuke University Pressen
dc.relation.urlhttps://read.dukeupress.edu/cultural-politics/article-abstract/13/1/58/25880/Modeling-Affective-LaborOn-Terry-Richardson-sen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectTerry Richardsonen
dc.subjectpornographyen
dc.subjectKiboshen
dc.subjectTerryworlden
dc.subjectphotographyen
dc.subjectfashionen
dc.subjectaffective labouren
dc.subjectimmaterial labouren
dc.titleModelling Affective Labour: On Terry Richardson’s Photographyen
dc.typeJournal article
dc.identifier.journalCultural Politicsen
dc.date.accepted2016-08-25
rioxxterms.funderJiscen
rioxxterms.identifier.projectUoW010916BHen
rioxxterms.versionAMen
rioxxterms.licenseref.urihttps://creativecommons.org/CC BY-NC-ND 4.0en
rioxxterms.licenseref.startdate2016-09-01en
dc.source.volume13
dc.source.issue1
dc.source.beginpage58
dc.source.endpage80
refterms.dateFCD2019-03-20T10:30:17Z
refterms.versionFCDAM
refterms.dateFOA2016-09-01T00:00:00Z
html.description.abstractPhotographer Terry Richardson works in a digital aesthetic vernacular that looks more to underground hardcore pornography of yesteryear than traditions associated with the institutionalisation of erotica, as associated with Playboy. And yet his images, in Kibosh and Terryworld, anticipate the contemporary public recalibration of ideas of intimacy as associated with Social Media, tally with contested ideas of the sexualisation of female empowerment as associated with contested elements of Third Wave Feminism, and can be read as a contemporary phase of Antonio Negri’s theory of art and immaterial labour in their evidencing of the affective labour on the part of the photographer himself. This critical commentary, the first such academic writing on Richardson, explores his work in these contexts, and considers Richardson’s return to the figure (over abstraction) as evidencing and exploring of the nature of work, and the nascent eroticisation of working relations, under Western neoliberal regimes.


Files in this item

Thumbnail
Name:
TerryRichardsonArticleForWIRE.pdf
Size:
581.7Kb
Format:
PDF

This item appears in the following Collection(s)

Show simple item record

http://creativecommons.org/licenses/by-nc-nd/4.0/
Except where otherwise noted, this item's license is described as http://creativecommons.org/licenses/by-nc-nd/4.0/