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    Mind Usurps Program: Virtuality and the "New Machine Aesthetic" of Electronic Dance Music

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    Authors
    Halligan, Benjamin
    Editors
    Rambarran, Shara
    Whiteley, Sheila
    Issue Date
    2016-03-14
    
    Metadata
    Show full item record
    Abstract
    This chapter outlines the changes in perceptions of electronic dance music across the phase of the introduction of virtuality. The chapter argues that such music must be read in relation to its conception of its audience, and that the audience, often cognitively impaired, responds to the music in a way that suggests ideological positions that redeem the music from accusations of cliché and racism. The chapter notes early theorizing of virtuality as giving rise to the idea or potential of a proletarian collective, as was realized in aspects of rave cultures, as associated with the idea of the “temporary autonomous zone.” The chapter turns to specific case studies from the work of Layo and Bushwacka! and Leftfield.
    Citation
    IN: Sheila Whiteley and Shara Rambarran (Eds), The Oxford Handbook of Music and Virtuality, Part 6, Oxford: Oxford University Press, pp.529-554
    Publisher
    Oxford University Press (US)
    URI
    http://hdl.handle.net/2436/604720
    DOI
    10.1093/oxfordhb/9780199321285.013.30
    Additional Links
    https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199321285.001.0001/oxfordhb-9780199321285-e-30
    Type
    Chapter in book
    Language
    en
    ISBN
    9780199321285
    ae974a485f413a2113503eed53cd6c53
    10.1093/oxfordhb/9780199321285.013.30
    Scopus Count
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    Faculty of Arts

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