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dc.contributor.authorHalligan, Benjamin
dc.date.accessioned2016-04-05T10:57:06Zen
dc.date.available2016-04-05T10:57:06Zen
dc.date.issued2016-02
dc.identifier.isbn9781785331107
dc.identifier.urihttp://hdl.handle.net/2436/604449
dc.descriptionThis is Chapter One of the book, which the publisher has made open access on its website.
dc.description.abstractWhat was the progressive cinema of the 1960s? In the absence of any generally agreed definitions, differing ideas abound, originating from two areas: firstly, the critical/academic histories of 1960s cinema, and secondly the conception of a ‘progressive cinema’ that is apparent in a number of 1960s films. The initial point of departure for this study is the conflict that arises between these two areas: the progressive cinema of the 1960s, as articulated in its own artefacts, does not always fully support, verify or validate the idea of a progressive cinema of the 1960s to be found in critical/academic histories. This disparity will be used to orientate this study as it seeks to expand the parameters of the critical/academic histories in order to identify and conceptualise, in a sustained way, the progressive cinema of the 1960s.
dc.language.isoen
dc.publisherBerghahn Books
dc.relation.urlhttp://www.berghahnbooks.com/title.php?rowtag=HalliganDesires
dc.titleDesires for Reality: Radicalism and Revolution in Western European Film
dc.typeAuthored book
pubs.editionReprint
pubs.edition1st Edition
pubs.place-of-publicationOxford, England, UK
dc.source.beginpage1
dc.source.endpage264
refterms.dateFOA2018-08-21T12:40:57Z
html.description.abstractWhat was the progressive cinema of the 1960s? In the absence of any generally agreed definitions, differing ideas abound, originating from two areas: firstly, the critical/academic histories of 1960s cinema, and secondly the conception of a ‘progressive cinema’ that is apparent in a number of 1960s films. The initial point of departure for this study is the conflict that arises between these two areas: the progressive cinema of the 1960s, as articulated in its own artefacts, does not always fully support, verify or validate the idea of a progressive cinema of the 1960s to be found in critical/academic histories. This disparity will be used to orientate this study as it seeks to expand the parameters of the critical/academic histories in order to identify and conceptualise, in a sustained way, the progressive cinema of the 1960s.


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Chapter 1 'All All All'

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