Lin Manuel Miranda’s Hamilton: An American Musical (Hamilton) (2015) has tapped into the current cultural moment, lauded as the ‘saviour of Broadway’.1 The show’s unique tour de force is the use of hip-hop to convey the story, reigniting the genre and attracting a new musical theatre audience. This musical idiom combined with Hamilton’s colour conscious casting has allowed Miranda to create ‘the story of America then told by America now’2 exposing to critical view the whitewashing of history and the more questionable legacies of the Founding Fathers of America. The show is inescapable, dominating social media through its innovative #Ham4Ham and #Hamildrop initiatives.3 Television shows are even cashing in on Hamilton’s cultural currency with references to the show appearing in Brooklyn Nine Nine, Grey’s Anatomy, and Gilmore Girls (amongst others) as well as talk shows such as The Late Show. With so much exposure it is hard not to get swept up in the hype surrounding the musical.