Leviathan’s Slumber
dc.contributor.author | Payne, Alistair | |
dc.date.accessioned | 2008-10-08T13:21:31Z | |
dc.date.available | 2008-10-08T13:21:31Z | |
dc.date.issued | 2005 | |
dc.identifier.citation | In: Ebb and Flow, Three Colts Gallery, London | |
dc.identifier.uri | http://hdl.handle.net/2436/38755 | |
dc.description.abstract | Derived from Payne’s continuing search for a new interdisciplinarity within painting, “Leviathan’s Slumber” is an installation comprising four circulating pumps, food colouring, water, 180 metres of 4cm transparent tubing and a central reservoir. This follows a methodology of ‘folds and flows’ derived from the philosophy of Gilles Deleuze, which Payne developed in his doctoral thesis to present a new and dynamic method for painting practice, arguing that painting retains its formal particularity yet shifts its physical and spatial characteristics across different mediums. | |
dc.language.iso | en | |
dc.relation.url | http://www.wlv.ac.uk/Default.aspx?page=15414 | |
dc.title | Leviathan’s Slumber | |
dc.type | Digital or visual media | |
refterms.dateFOA | 2019-12-05T13:11:33Z | |
html.description.abstract | Derived from Payne’s continuing search for a new interdisciplinarity within painting, “Leviathan’s Slumber” is an installation comprising four circulating pumps, food colouring, water, 180 metres of 4cm transparent tubing and a central reservoir. This follows a methodology of ‘folds and flows’ derived from the philosophy of Gilles Deleuze, which Payne developed in his doctoral thesis to present a new and dynamic method for painting practice, arguing that painting retains its formal particularity yet shifts its physical and spatial characteristics across different mediums. |