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dc.contributor.authorPayne, Alistair
dc.date.accessioned2008-10-08T13:21:31Z
dc.date.available2008-10-08T13:21:31Z
dc.date.issued2005
dc.identifier.citationIn: Ebb and Flow, Three Colts Gallery, London
dc.identifier.urihttp://hdl.handle.net/2436/38755
dc.description.abstractDerived from Payne’s continuing search for a new interdisciplinarity within painting, “Leviathan’s Slumber” is an installation comprising four circulating pumps, food colouring, water, 180 metres of 4cm transparent tubing and a central reservoir. This follows a methodology of ‘folds and flows’ derived from the philosophy of Gilles Deleuze, which Payne developed in his doctoral thesis to present a new and dynamic method for painting practice, arguing that painting retains its formal particularity yet shifts its physical and spatial characteristics across different mediums.
dc.language.isoen
dc.relation.urlhttp://www.wlv.ac.uk/Default.aspx?page=15414
dc.titleLeviathan’s Slumber
dc.typeDigital or visual media
refterms.dateFOA2019-12-05T13:11:33Z
html.description.abstractDerived from Payne’s continuing search for a new interdisciplinarity within painting, “Leviathan’s Slumber” is an installation comprising four circulating pumps, food colouring, water, 180 metres of 4cm transparent tubing and a central reservoir. This follows a methodology of ‘folds and flows’ derived from the philosophy of Gilles Deleuze, which Payne developed in his doctoral thesis to present a new and dynamic method for painting practice, arguing that painting retains its formal particularity yet shifts its physical and spatial characteristics across different mediums.


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