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    The Cholmondely Ladies and Rhythms of the Visible

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    Authors
    Kossoff, Adam
    Issue Date
    2006
    
    Metadata
    Show full item record
    Other Titles
    124 Minutes
    Abstract
    Kossoff’s four thousand word essay, “The Cholmondely Ladies” and “Rhythms of the Visible,” looks at how the video work of Harrison and Wood addresses ideas around the frame as a form of representation, and analyzes how this relates to early cinema. Kossoff uses the painting of “The Cholmondely Ladies” (1600-01) to begin the discussion of the frame, both an opening and a closure, in the video art practice of Harrison and Wood. He also maps out a recent development in Harrison and Wood’s work from the static camera to the moving one, which acts as commentary on the course of film evolution and reflects the development of video art in general.
    Citation
    In: Wood, J. and Harrison, P. (eds.), 124 Minutes. Cardiff: Ffotogallery, pp 91-97
    Publisher
    Cardiff: Ffotogallery
    URI
    http://hdl.handle.net/2436/36672
    Additional Links
    https://www.cornerhousepublications.org/publications/124-minutes/
    Type
    Chapter in book
    Language
    en
    ISBN
    1872771645
    Collections
    Faculty of Arts

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