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    Sex Education Dyptich

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    Authors
    Ayliffe, Margaret
    Issue Date
    2001
    
    Metadata
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    Other Titles
    Warped, Painting and the Feminine
    Abstract
    Ayliffe explores the historical and contemporary positioning of the feminine through psychoanalysis and visual theory to examine its strategic deployment by contemporary abstract painters. The artists all invoke the other as a subversive influence in rethinking abstraction. Ayliffe questions whether the generalised notion of the other equates to a gender specific identification of the feminine and whether it is possible to disentangle the feminine from generic otherness and postmodern practice.
    Citation
    In: Ayliffe, M., Myers, T., Warped, Painting and the Feminine. Nottingham, UK: Angel Row Gallery, January, 2001, pp 22-23
    URI
    http://hdl.handle.net/2436/30138
    Additional Links
    http://www.wlv.ac.uk/Default.aspx?page=15303
    Type
    Digital or visual media
    Language
    en
    Description
    Curated by Ayliffe, “Warped, Painting and the Feminine” was an exhibition of fourteen paintings by seven artists; including two by the curator. The exhibition presented the work of Jo Bruton, (UK), Joanne Greenbaum (USA), Vanessa Jackson (UK), Valerie Jaudon (USA), Shirley Kaneda (USA), Rosa Lee (UK). Ayliffe contributed a text to the catalogue and delivered an opening paper at the symposium hosted by Angel Row and Nottingham Trent University. The exhibition travelled to Middlesbrough Art Gallery, Rugby Art Gallery, and Inside Space, London.
    ISBN
    0 90563443 8
    Collections
    Faculty of Arts

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