• Admin Login
    View Item 
    •   Home
    • Theses and Dissertations
    • Theses and Dissertations
    • View Item
    •   Home
    • Theses and Dissertations
    • Theses and Dissertations
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Browse

    All of WIRECommunitiesTitleAuthorsIssue DateSubmit DateSubjectsTypesJournalDepartmentPublisherThis CollectionTitleAuthorsIssue DateSubmit DateSubjectsTypesJournalDepartmentPublisher

    Administrators

    Admin Login

    Local Links

    AboutThe University LibraryOpen Access Publications PolicyDeposit LicenceCOREWIRE Copyright and Reuse Information

    Statistics

    Display statistics

    Dualism and the Critical Languages of Portraiture

    • CSV
    • RefMan
    • EndNote
    • BibTex
    • RefWorks
    Thumbnail
    Name:
    Altintzoglou_PhD thesis.pdf
    Size:
    1.414Mb
    Format:
    PDF
    Download
    Authors
    Altintzoglou, Evripidis cc
    Advisors
    Roberts, John
    Issue Date
    2010
    
    Metadata
    Show full item record
    Abstract
    This thesis analyzes the philosophical origins of dualism in Western culture in the Classical period in order to examine dualist modes of representation in the history of Western portraiture. Dualism - or the separation of soul and body - takes the form in portraiture of the representation of the head or head and shoulders at the expense of the body, and since its emergence in Classical Greece, has been the major influence on portraiture. In this respect the modern portrait's commonplace attention to the face rests on the dualist notion that the soul, and therefore the individuality of the subject, rests in the head. Art historical literature on portraiture, however, fails to address the pictorial, cultural and theoretical complications arising from various forms of dualism and their different artistic methodologies, such as that of the physiognomy (the definition of personality through facial characteristics) in the 19th century. That is, there is a failure to identify the complexities of dualism's relationship to the traditional honorific aspects of the portrait (the fact that historians are inclined to accept at face value the fact that portraits historically have tended to honour the achievements and social status of the sitter). Indeed, scholars have a propensity to romanticise the humanist individualists inherent to this long history of the honorific, particularly in canonic portrait practices such as Rembrandt's and Picasso's.
    Publisher
    University of Wolverhampton
    URI
    http://hdl.handle.net/2436/116408
    Type
    Thesis or dissertation
    Language
    en
    Description
    A thesis submitted in partial fulfilment of the requirements of the University of Wolverhampton for the degree of Doctor of Philosophy
    Collections
    Theses and Dissertations

    entitlement

     
    DSpace software (copyright © 2002 - 2023)  DuraSpace
    Quick Guide | Contact Us
    Open Repository is a service operated by 
    Atmire NV
     

    Export search results

    The export option will allow you to export the current search results of the entered query to a file. Different formats are available for download. To export the items, click on the button corresponding with the preferred download format.

    By default, clicking on the export buttons will result in a download of the allowed maximum amount of items.

    To select a subset of the search results, click "Selective Export" button and make a selection of the items you want to export. The amount of items that can be exported at once is similarly restricted as the full export.

    After making a selection, click one of the export format buttons. The amount of items that will be exported is indicated in the bubble next to export format.