2.50
Hdl Handle:
http://hdl.handle.net/2436/620267
Title:
Introduction
Authors:
Pheasant-Kelly, Frances; Andrews, Eleanor; HOCKENHULL, STELLA ( 0000-0003-4559-2401 )
Abstract:
This book examines the ways in which the house appears in films and the modes by which it moves beyond being merely a backdrop for action. Specifically, it explores the ways that domestic spaces carry inherent connotations that filmmakers exploit to enhance meanings and pleasures within film. Rather than simply examining the representation of the house as national symbol, auteur trait, or in terms of genre, contributors study various rooms in the domestic sphere from an assortment of time periods and from a diversity of national cinemas―from interior spaces in ancient Rome to the Chinese kitchen, from the animated house to the metaphor of the armchair in film noir.
Citation:
In: Eleanor Andrews (Editor), Stella Hockenhull (Editor), Fran Pheasant-Kelly (Editor); Spaces of the Cinematic Home: Behind the Screen Door (Routledge Advances in Film Studies)
Publisher:
Routledge
Issue Date:
Aug-2015
URI:
http://hdl.handle.net/2436/620267
Type:
Other
Language:
en
ISBN:
978-1138791657
Sponsors:
University of Wolverhampton
Appears in Collections:
CFMDC

Full metadata record

DC FieldValue Language
dc.contributor.authorPheasant-Kelly, Francesen
dc.contributor.authorAndrews, Eleanoren
dc.contributor.authorHOCKENHULL, STELLAen
dc.date.accessioned2016-11-07T14:40:30Z-
dc.date.available2016-11-07T14:40:30Z-
dc.date.issued2015-08-
dc.identifier.citationIn: Eleanor Andrews (Editor), Stella Hockenhull (Editor), Fran Pheasant-Kelly (Editor); Spaces of the Cinematic Home: Behind the Screen Door (Routledge Advances in Film Studies)en
dc.identifier.isbn978-1138791657-
dc.identifier.urihttp://hdl.handle.net/2436/620267-
dc.description.abstractThis book examines the ways in which the house appears in films and the modes by which it moves beyond being merely a backdrop for action. Specifically, it explores the ways that domestic spaces carry inherent connotations that filmmakers exploit to enhance meanings and pleasures within film. Rather than simply examining the representation of the house as national symbol, auteur trait, or in terms of genre, contributors study various rooms in the domestic sphere from an assortment of time periods and from a diversity of national cinemas―from interior spaces in ancient Rome to the Chinese kitchen, from the animated house to the metaphor of the armchair in film noir.en
dc.description.sponsorshipUniversity of Wolverhamptonen
dc.language.isoenen
dc.publisherRoutledgeen
dc.subjectfilmen
dc.subjectcinematic homeen
dc.subjectspaceen
dc.titleIntroductionen
dc.typeOtheren
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