Kinesthetic Empathy: Conditions for Viewing

2.50
Hdl Handle:
http://hdl.handle.net/2436/620199
Title:
Kinesthetic Empathy: Conditions for Viewing
Authors:
Wood, Karen ( 0000-0002-6120-9866 )
Abstract:
The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.
Citation:
In: Douglas Rosenberg (Editor); The Oxford Handbook of Screendance Studies; Chapter 12, pp245-262
Publisher:
Oxford University Press
Issue Date:
2016
URI:
http://hdl.handle.net/2436/620199
Type:
Book chapter
Language:
en
ISBN:
9780199981601
Appears in Collections:
FOA

Full metadata record

DC FieldValue Language
dc.contributor.authorWood, Karenen
dc.date.accessioned2016-10-11T13:37:41Z-
dc.date.available2016-10-11T13:37:41Z-
dc.date.issued2016-
dc.identifier.citationIn: Douglas Rosenberg (Editor); The Oxford Handbook of Screendance Studies; Chapter 12, pp245-262en
dc.identifier.isbn9780199981601-
dc.identifier.urihttp://hdl.handle.net/2436/620199-
dc.description.abstractThe Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.en
dc.language.isoenen
dc.publisherOxford University Pressen
dc.subjectKinesthetic empathyen
dc.subjectaudiencesen
dc.subjectengagementen
dc.subjectcorporealen
dc.titleKinesthetic Empathy: Conditions for Viewingen
dc.typeBook chapteren
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