Curating Between Worlds: How Digital Collaborations Become Curative Projects

2.50
Hdl Handle:
http://hdl.handle.net/2436/614798
Title:
Curating Between Worlds: How Digital Collaborations Become Curative Projects
Authors:
Harrison, Dew ( 0000-0003-4002-0113 )
Abstract:
Digital technologies support social networking offering platforms through which artists can collaborate to create online exhibitions of their work. As an artist pursuing a computer-mediated practice I have found that my working methods have frequently become indistinguishable from that of curation. Technologies have developed and practice evolved, and my interest has moved accordingly towards cross-curation, where artists in physical spaces converge with those online in real-time events. This chapter will evidence the understanding of digital online artist collaborations as a necessary form of curation, from examples of experienced practice. Artists continue to experiment with new media forms and push boundaries of code to materialize the virtual, and curatorial methods will be challenged to support their evolving practices. Findings from a panel discussion on virtual curation will be proffered to support the view that it is the artists themselves driving this exploratory approach to curation, as part of their discursive collaborative methods for creating digital works
Citation:
In:Jeffery, Celina (eds), The Artist as Curator, pp79-96
Publisher:
Intellect Books
Issue Date:
2015
URI:
http://hdl.handle.net/2436/614798
Additional Links:
http://www.intellectbooks.co.uk/books/view-Book,id=5167/
Type:
Book chapter
Language:
en
ISBN:
9781783203376
Appears in Collections:
FOA

Full metadata record

DC FieldValue Language
dc.contributor.authorHarrison, Dewen
dc.date.accessioned2016-06-27T09:12:54Z-
dc.date.available2016-06-27T09:12:54Z-
dc.date.issued2015-
dc.identifier.citationIn:Jeffery, Celina (eds), The Artist as Curator, pp79-96en
dc.identifier.isbn9781783203376-
dc.identifier.urihttp://hdl.handle.net/2436/614798-
dc.description.abstractDigital technologies support social networking offering platforms through which artists can collaborate to create online exhibitions of their work. As an artist pursuing a computer-mediated practice I have found that my working methods have frequently become indistinguishable from that of curation. Technologies have developed and practice evolved, and my interest has moved accordingly towards cross-curation, where artists in physical spaces converge with those online in real-time events. This chapter will evidence the understanding of digital online artist collaborations as a necessary form of curation, from examples of experienced practice. Artists continue to experiment with new media forms and push boundaries of code to materialize the virtual, and curatorial methods will be challenged to support their evolving practices. Findings from a panel discussion on virtual curation will be proffered to support the view that it is the artists themselves driving this exploratory approach to curation, as part of their discursive collaborative methods for creating digital worksen
dc.language.isoenen
dc.publisherIntellect Booksen
dc.relation.urlhttp://www.intellectbooks.co.uk/books/view-Book,id=5167/en
dc.subjectCurationen
dc.subjectDuchampen
dc.subjectConceptual Arten
dc.subjectonlineen
dc.subjectofflineen
dc.subjectinWorlden
dc.subjectvirtual-realen
dc.subjectart practiceen
dc.subjectcollaborative proceen
dc.subjectSecond Lifeen
dc.titleCurating Between Worlds: How Digital Collaborations Become Curative Projectsen
dc.typeBook chapteren
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