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Wolverhampton Intellectual Repository and E-Theses > School of Art & Design > Centre for Art, Design, Research and Experimentation (CADRE) > Contemporary Design and Applied Art > Compositions colour-pattern-form

Please use this identifier to cite or link to this item: http://hdl.handle.net/2436/38814
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Title: Compositions colour-pattern-form
Authors: Shaw, Vicky
Citation: In: Deutsches Porzellanmuseum, Hohenberg, Germany
Issue Date: 2005
URI: http://hdl.handle.net/2436/38814
Additional Links: http://www.wlv.ac.uk/Default.aspx?page=15446
Abstract: A solo exhibition comprising 120 pieces made over a period of 18 months. The artist is noted for an uncanny level of control and finish in her handwork with porcelain. Working with Jasper, the ‘signature’ clay body of Wedgwood which lacks the translucency and purity of porcelain, raised a range of technical questions concerning its plasticity and surface quality including colour. Shaw experimented with different combinations of form, colour, and surface finish usually used for porcelain, in particular the use of porcelain-mono-printing and screen-printing, which she has pioneered, to develop new perceptions and uses of Jasperware.
Type: Image
Language: en
Appears in Collections: Contemporary Design and Applied Art

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