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Wolverhampton Intellectual Repository and E-Theses > School of Art & Design > Centre for Art, Design, Research and Experimentation (CADRE) > Art Practice and Critical Theory > The Train Films

Please use this identifier to cite or link to this item: http://hdl.handle.net/2436/38789
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Title: The Train Films
Authors: Sherwin, Guy
Citation: In: Association Les Voûtes, Paris, France
Issue Date: 2006
URI: http://hdl.handle.net/2436/38789
Additional Links: http://www.wlv.ac.uk/Default.aspx?page=15431
Abstract: The work develops the possibility of film as performance, specifically the live interplay of multiple projectors with the artist as performer. Its content forms part of a wider investigation by the artist into rhythmic spatial movement across multiple screens and the temporal and spatial illusions this creates. Overall, the work’s radical import is to prioritise film as a multi-faceted, open-ended system. The work builds on structural film of the 70s and the renewal of interest in “expanded cinema” (Dortmund, 2004). Several aspects of space and of movements between spaces are considered. For example the three-screen film “Camden Road Station” 2004 involves interaction between the profilmic space (of the station itself) the implied space created by the three projectors (overlapping, adjacent, stacked) and the physical space of the venue onto which the images are projected (the arched brick wall at Voutes).
Type: Image
Language: en
Appears in Collections: Art Practice and Critical Theory

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