2.50
Hdl Handle:
http://hdl.handle.net/2436/38789
Title:
The Train Films
Authors:
Sherwin, Guy
Abstract:
The work develops the possibility of film as performance, specifically the live interplay of multiple projectors with the artist as performer. Its content forms part of a wider investigation by the artist into rhythmic spatial movement across multiple screens and the temporal and spatial illusions this creates. Overall, the work’s radical import is to prioritise film as a multi-faceted, open-ended system. The work builds on structural film of the 70s and the renewal of interest in “expanded cinema” (Dortmund, 2004). Several aspects of space and of movements between spaces are considered. For example the three-screen film “Camden Road Station” 2004 involves interaction between the profilmic space (of the station itself) the implied space created by the three projectors (overlapping, adjacent, stacked) and the physical space of the venue onto which the images are projected (the arched brick wall at Voutes).
Citation:
In: Association Les Voûtes, Paris, France
Issue Date:
2006
URI:
http://hdl.handle.net/2436/38789
Additional Links:
http://www.wlv.ac.uk/Default.aspx?page=15431
Type:
Image
Language:
en
Appears in Collections:
Art Practice and Critical Theory

Full metadata record

DC FieldValue Language
dc.contributor.authorSherwin, Guy-
dc.date.accessioned2008-10-09T10:29:04Z-
dc.date.available2008-10-09T10:29:04Z-
dc.date.issued2006-
dc.identifier.citationIn: Association Les Voûtes, Paris, Franceen
dc.identifier.urihttp://hdl.handle.net/2436/38789-
dc.description.abstractThe work develops the possibility of film as performance, specifically the live interplay of multiple projectors with the artist as performer. Its content forms part of a wider investigation by the artist into rhythmic spatial movement across multiple screens and the temporal and spatial illusions this creates. Overall, the work’s radical import is to prioritise film as a multi-faceted, open-ended system. The work builds on structural film of the 70s and the renewal of interest in “expanded cinema” (Dortmund, 2004). Several aspects of space and of movements between spaces are considered. For example the three-screen film “Camden Road Station” 2004 involves interaction between the profilmic space (of the station itself) the implied space created by the three projectors (overlapping, adjacent, stacked) and the physical space of the venue onto which the images are projected (the arched brick wall at Voutes).en
dc.language.isoenen
dc.relation.urlhttp://www.wlv.ac.uk/Default.aspx?page=15431en
dc.titleThe Train Filmsen
dc.typeImageen
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