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Wolverhampton Intellectual Repository and E-Theses > School of Art & Design > Centre for Art, Design, Research and Experimentation (CADRE) > Art Practice and Critical Theory > Leviathan’s Slumber

Please use this identifier to cite or link to this item: http://hdl.handle.net/2436/38755
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Title: Leviathan’s Slumber
Authors: Payne, Alistair
Citation: In: Ebb and Flow, Three Colts Gallery, London
Issue Date: 2005
URI: http://hdl.handle.net/2436/38755
Additional Links: http://www.wlv.ac.uk/Default.aspx?page=15414
Abstract: Derived from Payne’s continuing search for a new interdisciplinarity within painting, “Leviathan’s Slumber” is an installation comprising four circulating pumps, food colouring, water, 180 metres of 4cm transparent tubing and a central reservoir. This follows a methodology of ‘folds and flows’ derived from the philosophy of Gilles Deleuze, which Payne developed in his doctoral thesis to present a new and dynamic method for painting practice, arguing that painting retains its formal particularity yet shifts its physical and spatial characteristics across different mediums.
Type: Image
Language: en
Appears in Collections: Art Practice and Critical Theory

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