|
Wolverhampton Intellectual Repository and E-Theses >
School of Art & Design >
Centre for Art, Design, Research and Experimentation (CADRE) >
Art Practice and Critical Theory >
Austria and Monolith
Please use
this identifier to cite or link
to this item:
http://hdl.handle.net/2436/38740
Del.icio.us
LinkedIn
Citeulike
Connotea
Facebook
Stumble it!
| Title: | Austria and Monolith |
| Authors: | Payne, Alistair |
| Citation: | In: Other Than, MOT Gallery, Regents Studios, London |
| Issue Date: | 2004 |
| URI: | http://hdl.handle.net/2436/38740 |
| Additional Links: | http://www.wlv.ac.uk/Default.aspx?page=15415 |
| Abstract: | Payne’s two works in this exhibition were created by deconstructing the structural dynamics of painting and enfolding the resulting possibilities onto different external elements. The paintings exhibited not only their own particular structural/physical or material identity as painting, but also their relationship to other mediums.
“Austria” was a floor-based work, made from high impact polystyrene (nine sheets cut into the form of paint spills laid over each other following the colours of the camouflage used by the Austrian army). “Monolith” contained nine blocks of polished 6x6x1 inch Perspex with sheets of solid acrylic paint between each one. |
| Type: | Image |
| Language: | en |
| Appears in Collections: | Art Practice and Critical Theory
|
| Files in This Item: |
| File |
Description |
Size |
Format |
View/Open |
| Payne_Austria.jpg | | 47Kb | JPEG |  View/Open | | Payne_Monolith.jpg | | 47Kb | JPEG |  View/Open |
|
All Items in WIRE are protected by copyright, with all rights reserved, unless otherwise indicated.
|