2.50
Hdl Handle:
http://hdl.handle.net/2436/36672
Title:
The Cholmondely Ladies and Rhythms of the Visible
Authors:
Kossoff, Adam
Other Titles:
124 Minutes
Abstract:
Kossoff’s four thousand word essay, “The Cholmondely Ladies” and “Rhythms of the Visible,” looks at how the video work of Harrison and Wood addresses ideas around the frame as a form of representation, and analyzes how this relates to early cinema. Kossoff uses the painting of “The Cholmondely Ladies” (1600-01) to begin the discussion of the frame, both an opening and a closure, in the video art practice of Harrison and Wood. He also maps out a recent development in Harrison and Wood’s work from the static camera to the moving one, which acts as commentary on the course of film evolution and reflects the development of video art in general.
Citation:
In: Wood, J. and Harrison, P. (eds.), 124 Minutes. Cardiff: Ffotogallery, pp 91-97
Publisher:
Cardiff: Ffotogallery
Issue Date:
2006
URI:
http://hdl.handle.net/2436/36672
Additional Links:
http://www.wlv.ac.uk/Default.aspx?page=15909; http://www.ffotogallery.org/publication.php?pub_id=297&p=
Type:
Book chapter
Language:
en
ISBN:
1872771645
Appears in Collections:
Art Practice and Critical Theory

Full metadata record

DC FieldValue Language
dc.contributor.authorKossoff, Adam-
dc.date.accessioned2008-08-27T13:41:12Z-
dc.date.available2008-08-27T13:41:12Z-
dc.date.issued2006-
dc.identifier.citationIn: Wood, J. and Harrison, P. (eds.), 124 Minutes. Cardiff: Ffotogallery, pp 91-97en
dc.identifier.isbn1872771645-
dc.identifier.urihttp://hdl.handle.net/2436/36672-
dc.description.abstractKossoff’s four thousand word essay, “The Cholmondely Ladies” and “Rhythms of the Visible,” looks at how the video work of Harrison and Wood addresses ideas around the frame as a form of representation, and analyzes how this relates to early cinema. Kossoff uses the painting of “The Cholmondely Ladies” (1600-01) to begin the discussion of the frame, both an opening and a closure, in the video art practice of Harrison and Wood. He also maps out a recent development in Harrison and Wood’s work from the static camera to the moving one, which acts as commentary on the course of film evolution and reflects the development of video art in general.en
dc.language.isoenen
dc.publisherCardiff: Ffotogalleryen
dc.relation.urlhttp://www.wlv.ac.uk/Default.aspx?page=15909en
dc.relation.urlhttp://www.ffotogallery.org/publication.php?pub_id=297&p=en
dc.subjectVideo arten
dc.subjectEarly cinemaen
dc.titleThe Cholmondely Ladies and Rhythms of the Visibleen
dc.title.alternative124 Minutesen
dc.typeBook chapteren
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