2.50
Hdl Handle:
http://hdl.handle.net/2436/30138
Title:
Sex Education Dyptich
Authors:
Aycliffe, Margaret
Other Titles:
Warped, Painting and the Feminine
Abstract:
Ayliffe explores the historical and contemporary positioning of the feminine through psychoanalysis and visual theory to examine its strategic deployment by contemporary abstract painters. The artists all invoke the other as a subversive influence in rethinking abstraction. Ayliffe questions whether the generalised notion of the other equates to a gender specific identification of the feminine and whether it is possible to disentangle the feminine from generic otherness and postmodern practice.
Citation:
In: Ayliffe, M., Myers, T., Warped, Painting and the Feminine. Nottingham, UK: Angel Row Gallery, January, 2001, pp 22-23
Issue Date:
2001
URI:
http://hdl.handle.net/2436/30138
Additional Links:
http://www.wlv.ac.uk/Default.aspx?page=15303
Type:
Image
Language:
en
Description:
Curated by Ayliffe, “Warped, Painting and the Feminine” was an exhibition of fourteen paintings by seven artists; including two by the curator. The exhibition presented the work of Jo Bruton, (UK), Joanne Greenbaum (USA), Vanessa Jackson (UK), Valerie Jaudon (USA), Shirley Kaneda (USA), Rosa Lee (UK). Ayliffe contributed a text to the catalogue and delivered an opening paper at the symposium hosted by Angel Row and Nottingham Trent University. The exhibition travelled to Middlesbrough Art Gallery, Rugby Art Gallery, and Inside Space, London.
ISBN:
0 90563443 8
Appears in Collections:
Art Practice and Critical Theory

Full metadata record

DC FieldValue Language
dc.contributor.authorAycliffe, Margaret-
dc.date.accessioned2008-06-18T13:02:19Z-
dc.date.available2008-06-18T13:02:19Z-
dc.date.issued2001-
dc.identifier.citationIn: Ayliffe, M., Myers, T., Warped, Painting and the Feminine. Nottingham, UK: Angel Row Gallery, January, 2001, pp 22-23en
dc.identifier.isbn0 90563443 8-
dc.identifier.urihttp://hdl.handle.net/2436/30138-
dc.descriptionCurated by Ayliffe, “Warped, Painting and the Feminine” was an exhibition of fourteen paintings by seven artists; including two by the curator. The exhibition presented the work of Jo Bruton, (UK), Joanne Greenbaum (USA), Vanessa Jackson (UK), Valerie Jaudon (USA), Shirley Kaneda (USA), Rosa Lee (UK). Ayliffe contributed a text to the catalogue and delivered an opening paper at the symposium hosted by Angel Row and Nottingham Trent University. The exhibition travelled to Middlesbrough Art Gallery, Rugby Art Gallery, and Inside Space, London.en
dc.description.abstractAyliffe explores the historical and contemporary positioning of the feminine through psychoanalysis and visual theory to examine its strategic deployment by contemporary abstract painters. The artists all invoke the other as a subversive influence in rethinking abstraction. Ayliffe questions whether the generalised notion of the other equates to a gender specific identification of the feminine and whether it is possible to disentangle the feminine from generic otherness and postmodern practice.en
dc.language.isoenen
dc.relation.urlhttp://www.wlv.ac.uk/Default.aspx?page=15303en
dc.titleSex Education Dyptichen
dc.title.alternativeWarped, Painting and the Feminineen
dc.typeImageen
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